Latest topics
» Lions International
Potters Cottage EmptyYesterday at 18:46 by JanPots

» Black and Gold no namer ...
Potters Cottage EmptyYesterday at 11:40 by JanPots

» Walk like an Egyptian on a Shape 1151 Mug
Potters Cottage EmptyMon 20 Jan - 19:59 by JanPots

» mottled spray on yellow saucer no name ~
Potters Cottage EmptyMon 20 Jan - 13:17 by Ev

» 2147 Gold Beaked Swan
Potters Cottage EmptySun 19 Jan - 16:03 by Ev

» Heirloom d994
Potters Cottage EmptySun 19 Jan - 15:30 by Ev

» Vitrified Eggcups in Cream Speckle d171
Potters Cottage EmptySun 19 Jan - 8:18 by Ev

» Footrot flats mug
Potters Cottage EmptySun 19 Jan - 7:34 by Intrepidkiwi

» Golden Fleece d216
Potters Cottage EmptySun 19 Jan - 7:14 by Ev


Potters Cottage

Go down

Potters Cottage Empty Potters Cottage

Post  TonyK on Wed 5 Oct - 21:32

Potters Cottage was a Victorian initiative that involve some of Australia's mot interesting potters.

http://www.mclaren-pottery.com/HISTORY/PottersCottage.html

I find this pot at the monthly collectibles fair nearby and assume the seller didn't recognise the name as it was a bargain price.

Potters Cottage Dscn3610
TonyK
TonyK

Number of posts : 644
Location : Sydney Australia
Registration date : 2008-08-28

Back to top Go down

Potters Cottage Empty Re: Potters Cottage

Post  teaandcoffee on Wed 5 Oct - 23:01

Hi Tony,

Its a brilliant idea of yours to offer a few insights on newzealandpottery.net into what went on in Australian ceramics post-war.

I find it very easy to slip into a cosy NZ-centric space, which may be understandable but is a little lazy I think. One day someone is going to write a comprehensive comparative history of post-war Australian and New Zealand studio ceramics (and perhaps even South Africa as the cast of 1930-1955 British guiding hands and institutional genealogy was the same). I imagine the differences will be as interesting as the similarities.

This job has just (2014) been done for New Zealand studio jewellery by Damian Skinner and Kevin Murray - Place and Adornment: A History of Contemporary Jewellery in Australia and New Zealand. Well worth getting in my opinion.

In the meantime you can listen to a worthwhile interview Kim Hill did with Skinner about the book here:
http://www.radionz.co.nz/national/programmes/saturday/audio/20153908/damian-skinner-jewellery-and-makers

This is a figure I found this week in Hamilton. I think it may be an early 1960s piece by Dorothy Hope at Thrumpster Village Pottery, Port Macquarie.

Potters Cottage Dscf8510

Potters Cottage Dscf8610

Potters Cottage Dscf8511

teaandcoffee

Number of posts : 331
Registration date : 2012-04-22

Back to top Go down

Potters Cottage Empty Re: Potters Cottage

Post  TonyK on Mon 10 Oct - 2:57

Simon Manchester has pointed out that ceramics is the only art form that was bringing creatives out to New Zealand during an early development phase of the profession/interest. At the same period that Hamada and Leach were visiting Australia they went to New Zealand. Potters moved across the Tasman often and also met in Europe. Chester Nealie and Mirek Smisek are good examples of people with significant influence in both countries.
TonyK
TonyK

Number of posts : 644
Location : Sydney Australia
Registration date : 2008-08-28

Back to top Go down

Potters Cottage Empty Re: Potters Cottage

Post  Sponsored content


Sponsored content


Back to top Go down

Back to top


 
Permissions in this forum:
You cannot reply to topics in this forum